Pete takes Maggie to a large
music hall. An orchestra sits upon a stage near the center of the room. The
hall is crowded with working class patrons, some with their families, and
numerous waiters who carry trays of beer and make change. Small boys vend
cakes to the throng and smoke from the men's pipes lingers high in the air.
Pete seizes a table and orders two beers. When the beverages arrive he
upbraids the waiter for their size and orders larger beers. Maggie is
impressed by Pete's knowledge of the manners of what she considers a very fine
establishment.
The orchestra strikes some
introductory notes and a girl in a short pink dress runs onto the stage. The girl
sings a brazen song and the men in the front row accompany her on the chorus.
She runs offstage to loud applause. When she returns she flounces her many
skirts to reveal her pink stockings. Maggie is awed by the extravagance of the
costume. Before leaving the stage the dancer attempts some of the moves
popular among the higher-class theaters. The next performer is a ventriloquist
who makes two dolls sing songs and tell funny jokes. Maggie is captivated and
asks Pete if the little men are truly talking. Pete responds: "Naw, its' some
damn fake. See?" Next on the bill are two girls claiming to be sisters who
sing a popular duet. Then a woman sings Negro melodies and a mournful air that
brings heartfelt applause from the whole audience. For her final song the
woman sings a patriotic piece that receives wild cheers and boot thumping.
After that a short fat man does a comical song and dance.
Pete drinks his beer and
watches Maggie. She is obviously pleased. He sees that Maggie breathes
heavily and that her eyes glisten. After the show Pete takes her arm and,
offering to fight several men along the way, shoves a way for them out of the
theater. It is very late at night when they reach the tenement building. Pete
asks Maggie for a kiss as payment for having taken her to the show. "Naw,
Pete," she responds laughing, "dat wasn't in it." Maggie retreats up the
stairs but looks back and smiles at him before disappearing. Pete wonders if
he's been "played fer a duffer."
Analysis of Chapter 7
This chapter marks the first
outing for Pete and Maggie and also the first of several stage shows and
theatrical scenes that Crane will use to chronicle the arc of their
relationship. The music hall, though working class, is entirely respectable as
evidenced by the presence of families in the crowd. The overall impression is
of cheap but soothing entertainment. Maggie's inexperience with is highlighted
by her failure to notice the bawdy nature of the singer's performance - but she
does not fail to notice the high cost of her outfit. Similarly, she considers
Pete's request for large beers to be a sign of breeding and good manners. She
reveals herself to be a complete innocent when she asks Pete whether or not the
ventriloquist's dummies are real persons. Innocent though she is, Maggie is
demur and knows well enough to refuse Pete's request for a kiss on their first
outing.
|